من بين جميع لوحات Johan Per (Per) Sodermark، تُعد Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848) هي الأكثر شهرة؛ وهي معروضة في المتحف الوطني، ستوكهولم. ويأتي في المرتبة التالية كل من Portrait of Werner Holmberg (1853) و Christoffer Eichhorn (1837-1889), librarian, art historian (1889). من بين 3 من أعمال Johan Per (Per) Sodermark في كتالوجنا، تُعد هذه 3 الأعمال هي الأكثر شهرة، حيث نُعرض كل واحدة منها مع تاريخها، والمتحف الذي تنتمي إليه، وقصتها.
تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في نوفمبر 2026. يمكن طلب كل لوحة في هذه الصفحة كنسخة زيتية مرسومة يدوياً على قماش كتان، أو كطباعة فنية فاخرة بالمقاس الذي تختاره.
المتاحف 2 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال Johan Per (Per) Sodermark | لوحات من هذه القائمة |
|---|---|---|---|
 المتحف الوطني |
ستوكهولم | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
هلسنكي | 1 | Portrait of Werner Holmberg |
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848)، المتحف الوطني, ستوكهولم. يليهما Portrait of Werner Holmberg (1853) وChristoffer Eichhorn (1837-1889), librarian, art historian (1889).
ولد Johan Per (Per) Sodermark في 1822 وكان عمره 26 عاماً: يعود تاريخ Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery إلى 1848.
يوجد في كتالوجنا 3 من أعمال Johan Per (Per) Sodermark، وتتراوح تواريخها من 1848 إلى 1889.
توجد معظمها في المتحف الوطني (ستوكهولم) و Finnish National Gallery (هلسنكي)؛ وتدرج القائمة أعلاه كل متحف ولوحاته.
أقدم لوحة قماشية هنا هي Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848)؛ وأحدثها هي Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
يضم المتحف الوطني, ستوكهولم عدد 2 من الأعمال المعروضة في هذه الصفحة، من بينها Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery و Christoffer Eichhorn (1837-1889), librarian, art historian.
نعم. يمكن طلب كل لوحة في هذه الصفحة من صفحتها الخاصة، سواء كنسخة زيتية مرسومة يدوياً، أو كمطبوعة فنية فاخرة، وذلك بالمقاس الذي تختارونه.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
