أتيليه — شحن مجاني لجميع أنحاء العالم — التوصيل خلال ٢–٦ أسابيع
      John Boultbee, 1753 – 1812

      أشهر 21 لوحات لـ John Boultbee

      تُعد A Bay Horse in a Field (1778) اللوحة التي اشتهر بها John Boultbee؛ وهي محفوظة في Yale Center for British Art، نيو هيفن. Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) و 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) يكملان ثلاثية اللوحات الأكثر شهرة. يحتوي دليلنا على 24 من أعمال John Boultbee. إليكم 21 من أشهرها، مع ذكر سنة الإنتاج، والمتحف، والقصة وراء كل لوحة.

      تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في نوفمبر 2026. يمكن طلب كل لوحة في هذه الصفحة كنسخة زيتية مرسومة يدوياً على قماش كتان، أو كطباعة فنية فاخرة بالمقاس الذي تختاره.

      بورتريه لـ John Boultbee
      John Boultbee · 1753 – 1812
      تاريخ الميلاد · تاريخ الوفاة
      1753 – 1812, Derby
      الأعمال الموجودة في كتالوجنا
      24
      الأكثر شهرة
      A Bay Horse in a Field (1778)
      أكبر عدد من الأعمال في
      National Trust

      أكثر عشر لوحات محبوبية لـ John Boultbee

      A Bay Horse in a Field (1778) للفنان John Boultbee
      1

      A Bay Horse in a Field

      1778 · Oil On Canvas · Yale Center for British Art, نيو هيفن

      A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held within the Paul Mellon Collection. The subject is a single bay horse situated within a pastoral landscape.

      نسخة زيتية مرسومة يدوياً من $178 40 × 25 cm بنفس حجم العمل الأصلي $359 104 × 67 cm اطلب بالحجم الأصلي →
      Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) للفنان John Boultbee
      2

      Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons

      1780 · Oil On Canvas

      In this 1780 oil portrait, we find Thomas Boothby Parkyns, depicted during his tenure as a cornet in the 15th Regiment of (Light) Dragoons. He sits poised atop a sturdy brown horse, his figure draped in the distinctive red uniform of his regiment. There is a quiet authority in his posture, a sense of a man accustomed to the saddle and the responsibilities of his rank. He holds a sword,…

      نسخة زيتية مرسومة يدوياً من $178 35 × 28 cm بنفس حجم العمل الأصلي $563 132 × 104 cm اطلب بالحجم الأصلي →
      'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) للفنان John Boultbee
      3

      'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction

      1792 · Oil · Shugborough Hall, ستوك أون ترينت

      In "'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction" by John Boultbee, a single cow commands the center of a quiet pastoral landscape. The animal rests horizontally across the middle ground, its body turned toward the left as if pausing mid-stride. The composition focuses entirely on this central figure, using the animal's presence to anchor the surrounding scenery. Organic shapes define the scene, from…

      نسخة زيتية مرسومة يدوياً من $178 36 × 28 cm بنفس حجم العمل الأصلي $352 93 × 72 cm اطلب بالحجم الأصلي →
      A Grey Arab Stallion in a Desert Landscape (1790) للفنان John Boultbee
      4

      A Grey Arab Stallion in a Desert Landscape

      1790 · Oil On Canvas · Yale Center for British Art, نيو هيفن

      A Grey Arab Stallion in a Desert Landscape by John Boultbee presents a single white Arabian stallion moving through a desert terrain. The horse occupies the lower left to center foreground, its form set against a rugged, dark brown rocky outcrop that rises on the left side of the composition. Two slender palm trees provide verticality to the scene, breaking the horizontal expanse of the landscape. The background consists of…

      نسخة زيتية مرسومة يدوياً من $178 36 × 28 cm بنفس حجم العمل الأصلي $336 90 × 69 cm اطلب بالحجم الأصلي →
      Robert Bakewell (1791) للفنان John Boultbee
      5

      Robert Bakewell

      1791 · Oil On Canvas · المعرض الوطني للصور, لندن

      In this oil painting on canvas, John Boultbee presents us with Robert Bakewell. Created about 1791, the work captures a quiet moment of authority within a pastoral setting. The subject is depicted seated atop a majestic brown horse, his presence commanding yet calm. He is dressed in a brown coat and a black hat, looking directly toward the viewer. This steady gaze establishes an immediate connection, inviting a sense of…

      نسخة زيتية مرسومة يدوياً من $178 36 × 28 cm بنفس حجم العمل الأصلي $344 91 × 71 cm اطلب بالحجم الأصلي →
      Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794 (1803) للفنان John Boultbee
      6

      Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794

      1803 · Oil · Sherwood Rangers Yeomanry Museum, Nottingham

      A man in a red uniform sits atop a white horse in this 1803 oil painting. He holds the reins with one hand, maintaining a steady posture while mounted. The horse is positioned centrally, its white coat contrasting against the darker elements of the composition. To the left, a tree rises from the ground, its branches extending into the frame. Two birds are visible within the scene: one occupies the…

      نسخة زيتية مرسومة يدوياً من $178 35 × 29 cm بنفس حجم العمل الأصلي $238 59 × 50 cm اطلب بالحجم الأصلي →
      An Oak Tree struck by Lightning in Dunham Park (1808) للفنان John Boultbee
      7

      An Oak Tree struck by Lightning in Dunham Park

      1808 · Oil On Canvas · Dunham Massey Hall

      In this work, An Oak Tree struck by Lightning in Dunham Park, John Boultbee captures a moment of profound natural disruption. Painted about 1808, the scene focuses on the aftermath of a violent atmospheric event within the confines of Dunham Park. The central subject is a singular oak tree, its trunk split and shattered by the force of a lightning strike. This sudden fracture creates a stark, pale focal point…

      نسخة زيتية مرسومة يدوياً من $178 33 × 30 cm بنفس حجم العمل الأصلي $289 76 × 61 cm اطلب بالحجم الأصلي →
      A Bay Hunter Named 'Sir Oliver' (1808) للفنان John Boultbee
      8

      A Bay Hunter Named 'Sir Oliver'

      1808 · Oil On Canvas · National Trust, ألترينشام

      A Bay Hunter Named 'Sir Oliver' is an equestrian study by the English painter John Boultbee. Created about 1808, the work belongs to a period when Boultbee was establishing his reputation for capturing the specific anatomy and movement of horses. The piece focuses on a single subject, prioritizing the physical presence of the animal within its natural environment.

      نسخة زيتية مرسومة يدوياً من $178 34 × 30 cm بنفس حجم العمل الأصلي $533 126 × 101 cm اطلب بالحجم الأصلي →
      An Oak Tree struck by Lightning in Dunham Park (1808) للفنان John Boultbee
      9

      An Oak Tree struck by Lightning in Dunham Park

      1808 · Oil · National Trust, ألترينشام

      A singular oak tree dominates the composition, its skeletal branches stripped of foliage by a sudden celestial strike. The wood appears charred and lifeless, a stark silhouette against the surrounding forest. Nearby, the sheer force of the lightning has toppled other trees, leaving them sprawled across a floor of dirt and grass. This scene captures a moment of profound disruption within the quietude of Dunham Park.

      نسخة زيتية مرسومة يدوياً من $178 35 × 29 cm بنفس حجم العمل الأصلي $289 76 × 61 cm اطلب بالحجم الأصلي →

      John Boultbee: اللوحات من 11 إلى 21 في التصنيف

      لوحات John Boultbee عبر العصور

      أكثر ما رسمه John Boultbee

      المواضيع الأربعة الأكثر تكراراً في هذه اللوحات، مع تقديم أفضل الأمثلة لكل منها.

      حيث تُعرض لوحات John Boultbee

      المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.

      المتحف المدينة أعمال John Boultbee لوحات من هذه القائمة
      National Trust, MilfordNational Trust Milford 4 'Garrick' A Bullock, 'Garrick's Sister' A Cow, 'Broken Horned Beauty' A Cow
      Yale Center for British Art, نيو هيفنYale Center for British Art نيو هيفن 2 A Bay Horse in a Field, A Grey Arab Stallion in a Desert Landscape
      Shugborough Hall, ستوك أون ترينتShugborough Hall ستوك أون ترينت 2 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, 'Garrick' A Bullock
      National Trust, ألترينشامNational Trust ألترينشام 2 A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park
      National Trust, ستوكبورتNational Trust ستوكبورت 2 A Chestnut Horse in a Stable, A Horse and Groom outside a Porch
      المعرض الوطني للصور, لندنالمعرض الوطني للصور لندن 1 Robert Bakewell
      Sherwood Rangers Yeomanry Museum, NottinghamSherwood Rangers Yeomanry Museum Nottingham 1 Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794
      Dunham Massey HallDunham Massey Hall 1 An Oak Tree struck by Lightning in Dunham Park

      أشهر لوحات John Boultbee القماشية، عبر العقود المتعاقبة

      1. 1770s
        A Bay Horse in a Field (1778) للفنان John Boultbee
        لوحة 1 من أصل 21

        A Bay Horse in a Field

        العمر 17 – 26 · Yale Center for British Art

        A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held…

      2. 1780s
      3. 1790s
      4. 1800s

      لوحات John Boultbee، سؤالاً تلو الآخر

      ما هي اللوحة التي يشتهر بها John Boultbee أكثر من غيرها؟اقرأ الإجابة

      A Bay Horse in a Field (1778)، Yale Center for British Art, نيو هيفن. يليهما Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) و'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792).

      A Bay Horse in a Field: كم كان عمر John Boultbee عندما رُسمت هذه اللوحة؟اقرأ الإجابة

      ولد John Boultbee في 1753 وكان عمره 25 عاماً: يعود تاريخ A Bay Horse in a Field إلى 1778.

      ما هي أشهر عشر لوحات لـ John Boultbee؟اقرأ الإجابة

      A Bay Horse in a Field, Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons, 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, A Grey Arab Stallion in a Desert Landscape, Robert Bakewell, Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794, An Oak Tree struck by Lightning in Dunham Park, A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park و 'Garrick' A Bullock. ترفق مع كل لوحة في التصنيف أعلاه سنة رسمها والمتحف الذي تنتمي إليه.

      كم عدد اللوحات التي أبدعها John Boultbee؟اقرأ الإجابة

      يوجد في كتالوجنا 24 من أعمال John Boultbee، وتتراوح تواريخها من 1778 إلى 1808.

      أين تُعرض أشهر لوحات John Boultbee اليوم؟اقرأ الإجابة

      توجد معظمها في National Trust (Milford), Yale Center for British Art (نيو هيفن) و Shugborough Hall (ستوك أون ترينت)؛ وتدرج القائمة أعلاه كل متحف ولوحاته.

      متى رسم John Boultbee أشهر لوحاته؟اقرأ الإجابة

      في 1800s، التي قدمت 4 من أصل 21 من الأعمال في هذه الصفحة، كان هناك Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794 من بينها.

      أي من لوحات John Boultbee الشهيرة كانت الأولى، وأيها كانت الأخيرة؟اقرأ الإجابة

      أقدم لوحة قماشية هنا هي A Bay Horse in a Field (1778)؛ وأحدثها هي An Oak Tree struck by Lightning in Dunham Park (1808).

      ما هي أكثر المواضيع التي رسمها John Boultbee؟اقرأ الإجابة

      Horse (4), Grass (4) و Sky (3)، عبر 21 من الأعمال في هذه الصفحة.

      ما هي الوسيط الفني الأكثر ظهوراً في لوحات John Boultbee؟اقرأ الإجابة

      Oil On Canvas، مستخدم في 6 من أصل 21 من الأعمال في هذه الصفحة.

      ما هي اللوحات التي يمتلكها National Trust من أعمال John Boultbee؟اقرأ الإجابة

      يضم National Trust, Milford عدد 4 من الأعمال المعروضة في هذه الصفحة، من بينها 'Garrick' A Bullock, 'Garrick's Sister' A Cow و 'Broken Horned Beauty' A Cow.

      أين يمكنني شراء نسخة من لوحة لـ John Boultbee؟اقرأ الإجابة

      نعم. يمكن طلب كل لوحة في هذه الصفحة من صفحتها الخاصة، سواء كنسخة زيتية مرسومة يدوياً، أو كمطبوعة فنية فاخرة، وذلك بالمقاس الذي تختارونه.

      تعرف على الفنان: John Boultbee

      John Boultbee: A Painter of Horses and British Life

      John Boultbee (1753-1812) emerges from the annals of 18th and early 19th-century England as a remarkably versatile artist, primarily celebrated for his captivating equestrian paintings and evocative depictions of rural life. Born in Osgathorpe, Leicestershire, into a family with artistic leanings – his twin brother Thomas also pursued painting – Boultbee’s career unfolded against the backdrop of a rapidly changing Britain, marked by burgeoning commerce, evolving social structures, and a growing appreciation for landscape and sporting subjects. While often overshadowed by more prominent figures of the era, Boultbee's work offers a valuable window into the tastes, customs, and artistic sensibilities of his time.

      Early influences undoubtedly stemmed from Sir Joshua Reynolds, whose presidency at the Royal Academy Schools in 1775 provided Boultbee with crucial training. The Academy’s emphasis on classical principles and naturalism shaped his initial style, evident in his early landscape paintings exhibited in 1776. However, Boultbee quickly developed a distinctive approach, particularly when it came to portraying horses – an obsession that would define much of his oeuvre. His fascination with these magnificent animals wasn't merely aesthetic; it reflected the growing importance of equestrian pursuits within British society, from hunting and racing to military displays. The influence of George Stubbs, a pioneering animal painter known for his anatomical accuracy and dynamic compositions, is readily apparent in Boultbee’s later works.

      A Royal Patronage and Sporting Subjects

      Boultbee's fortunes shifted dramatically with the patronage of King George III. Recognizing the artist’s skill in capturing the grace and power of horses, the monarch commissioned a series of portraits, solidifying Boultbee’s position within the highest echelons of British society. This royal favor afforded him a residence in Windsor Great Park, providing invaluable access to royal stables and allowing him to observe and paint these magnificent animals firsthand. The resulting paintings – often lavishly detailed and imbued with a sense of grandeur – became symbols of royal power and prestige.

      Beyond the royal commissions, Boultbee’s artistic interests extended to depicting rural landscapes and sporting scenes. He frequently portrayed hunts, races, and other equestrian events, capturing the energy and excitement of these pursuits. His paintings offer a glimpse into the lives of the landed gentry, showcasing their leisure activities and reflecting the prevailing social values of the time. His depictions of cattle, particularly those commissioned for the Duke of Bedford, demonstrate an understanding of livestock breeds and agricultural practices – a testament to his keen observational skills.

      Technique and Style

      Boultbee’s artistic style is characterized by a remarkable blend of technical skill and expressive flair. He possessed a deep knowledge of equine anatomy, meticulously rendering the musculature and movement of horses with impressive accuracy. His compositions are often dynamic and engaging, utilizing light and shadow to create a sense of depth and drama. While influenced by classical principles, Boultbee’s work is not overly formal or rigid; rather, it possesses a certain spontaneity and vitality.

      His use of color is particularly noteworthy. He favored warm, earthy tones – browns, ochres, and greens – to evoke the natural beauty of the landscapes he depicted. He also employed subtle gradations of light and shadow to create a sense of atmosphere and mood. His later works often exhibit a delicate pinkish hue, possibly influenced by the prevailing fashion for pastel shades.

      Legacy and Significance

      Despite not achieving widespread fame during his lifetime, John Boultbee’s work has since been recognized as an important contribution to British art history. His equestrian paintings are particularly valued for their technical skill, expressive quality, and historical significance. They offer a unique perspective on the social and cultural landscape of 18th-century Britain, reflecting the importance of horses in both military and sporting contexts.

      Today, Boultbee’s paintings can be found in major museums and private collections throughout the United Kingdom. His legacy endures as a testament to his artistic talent and his ability to capture the spirit of his time. The Durham Ox, commissioned by John Day, remains an iconic image of British rural life, embodying the artist's skill and the enduring fascination with horses within British culture.