اللوحة الأكثر شهرة للفنان Werner Büttner هي The third world pushing its way to the regulars' table (1981)، المعروضة في Städel Museum، فرانكفورت. تضم مجموعتنا 2 من أعمال Werner Büttner: إليكم 1 من أشهرها، مع ذكر سنة إنتاجها، والمتحف الذي تحتضنها، وما يجعل كل لوحة منها مميزة.
تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في نوفمبر 2026.
المتاحف 1 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال Werner Büttner | لوحات من هذه القائمة |
|---|---|---|---|
| فرانكفورت | 1 | The third world pushing its way to the regulars' table |
كل لوحة مؤرخة لـ Werner Büttner في هذه الصفحة قد رُسمت في 1981؛ إليكم هذه المجموعة، مع عرض الأشهر أولاً.
The third world pushing its way to the regulars' table (1981)
ولد Werner Büttner في 1954 وكان عمره 27 عاماً: يعود تاريخ The third world pushing its way to the regulars' table إلى 1981.
يوجد 2 من أعمال Werner Büttner في كتالوجنا.
توجد معظمها في Städel Museum (فرانكفورت)؛ وتدرج القائمة أعلاه كل متحف ولوحاته.
Born in Jena, Germany, Werner Büttner moved to Munich with his parents in 1961 before relocating to Berlin in 1968. After studying law at the Freie Universität Berlin from 1973 to 1977, he worked as a social assistant in the Tegel correctional facility. His early career was marked by the founding of various organizations, such as the Dum-Dum-Liga-Journal and the Liga zur Bekämpfung des widersprüchlichen Verhaltens, the latter established with Albert Oehlen. During the 1980s, Büttner was associated with the Neuen or Jungen Wilden movement, a group of painters who advocated for a Rückkehr der Malerei, or a return to painting, moving away from conceptual art. His work during this period was characterized as neo-expressionist and neo-dadaist, often utilizing humorous and sarcastic references to everyday life within his titles and subjects.
Büttner’s influence extended into academia, where he served as a lecturer and later as a professor at the Hochschule für Bildende Künste in Hamburg from 1989 to 2021. During his tenure, he taught painting and was involved in university politics, mentoring students such as Daniel Richter and Matvey Slavin. In addition to his teaching, he co-founded the Meter-Verlag with Albert Oehlen. His later artistic focus has shifted toward neo-dadaist collages, which have been exhibited at venues like the Deichtorhallen in Hamburg. His work is held in several collections, including: