Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Køb håndmalet maleri
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (30 oktober)
Peter Upward, ‘Shared Time
Størrelse på reproduktion
In the quiet intersection where text meets abstraction, Christine Lamson Dean’s 1999 work, ‘Peter Upward, Shared Time’, emerges as a profound meditation on legacy and the interconnectedness of artistic lineage. This oil on canvas piece is far more than a mere typographic exercise; it is a vibrant, conceptual bridge between the artist and the historical weight of Australian modernism. Set against a luminous, saturated yellow background that commands immediate attention, the painting utilizes a stark, minimalist aesthetic to invite the viewer into a space of contemplation. The bold, black lettering—naming both an artist and a concept—functions as both a label and a lyrical fragment, stripping away the superfluous to focus on the raw essence of identity and temporal connection.
The technique employed by Dean is one of deliberate restraint and impactful clarity. By utilizing the medium of oil on canvas, she achieves a depth of color that allows the yellow field to vibrate with an almost solar energy, providing a high-contrast stage for the black typography. This interplay between the fluid, painterly background and the rigid, graphic precision of the text creates a rhythmic tension. The work echoes the formalist traditions of late modernism, where the physical properties of the paint and the structural arrangement of elements are paramount. For the collector or interior designer, this piece offers a sophisticated balance; its graphic strength makes it a striking focal point in contemporary settings, while its minimalist composition allows it to integrate seamlessly into spaces defined by clean lines and architectural elegance.
Historically, this work is deeply rooted in the dialogue of the Penrith Regional Gallery collection. Dean’s practice often involves an academic and emotional interrogation of the masters who preceded her, such as Margo Lewers and Peter Upward. In ‘Shared Time’, the title itself becomes a symbolic vessel, suggesting that art is not a solitary endeavor but a continuous, overlapping experience across generations. The painting captures the spirit of a shared intellectual heritage, referencing the influential critiques of figures like Clement Greenberg while maintaining a deeply personal, poetic voice. It is an invitation to consider how we inhabit time alongside those who have shaped our visual language.
To possess a reproduction of this work is to bring a piece of Australian art history into one's private sanctuary. The emotional impact of the painting lies in its ability to evoke both clarity and mystery. It provides a sense of intellectual stimulation through its textual references, yet offers a visceral, sensory pleasure through its bold use of color. Whether gracing a curated gallery wall or serving as a sophisticated accent in a modern living space, ‘Peter Upward, Shared Time’ serves as a timeless reminder of the enduring power of the abstract mark and the profound beauty found in the shared moments of our creative history.
Den overordnede stemning i "Peter Upward, ‘Shared Time" af Christine Lamson Dean er Minimalist. Stemningen beskriver værkets generelle atmosfære.
Luminansen registreret for "Peter Upward, ‘Shared Time" af Christine Lamson Dean er Bright Balance.
Et print af "Peter Upward, ‘Shared Time" af Christine Lamson Dean anbefales i størrelsen Small med Portrait orientering.
1963 - , Australien