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- 2359.0 x 395.0 cm
$ 70
Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options. (
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width
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Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.
Finish
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White $1
Blurside $1
Extended $1
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
H24-GOLD $30
H24-SILVER $30
H36-GOLD $45
H36-SILVER $45
Shipped in a protective tube, ready for your own framer.
Above 105 cm the frame is shipped as a kit for a professional framer — read the details.
Extras
optionalWhat do the extras include?
Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (24 November)
Protective Varnish
Nameplate
Engraved Bronze Plaque Details
This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.
It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.
Transparent Acrylic Plaque Details
The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.
It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.
Black Acrylic Plaque Details
This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.
The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.
Glass option is only available in size under 110 CM
Glass option is only available in size under 110 CM- Free Worldwide Express Shipping
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Collectible Description
Francesco Bartolozzi’s ‘Bacchantes,’ created in 1786, showcases Angelica Kauffman’s masterful depiction of three women immersed in peaceful contemplation amidst the tranquil beauty of the forest. The engraving captures a moment of idyllic friendship and artistic elegance.
Artist Biography
Italian engraver famed for the crayon method, using delicate dots and colored inks to create soft, chalk-like portraits and allegories.
About the artwork
A Moment in the Woods
In this 1786 composition, we find ourselves drawn into a quiet, wooded setting where three women are gathered. There is a sense of ease in their posture, a feeling of shared companionship that feels almost private, as if we have stumbled upon a fleeting moment of rest. The figures are positioned with a natural grace; one woman rests on the left, while the other two are situated closer to the right, creating a balanced, rhythmic arrangement within the foliage. Nature surrounds them, populated by two birds—one drifting near the upper-left corner and another settled toward the bottom-right—adding a subtle layer of life to the tranquil scene. It is a study of repose and the gentle harmony found in the company of others.
Technical Nuance and Origin
This work is a stipple engraving, printed in colours, representing a second state of the print. The technique relies on the delicate application of small dots to build form and tone, a method that allows for a softness of texture that traditional line engraving often lacks. It is a reproduction of a painting by Angelica Kauffman, translated through the skilled hand of Francesco Bartolozzi. The precision of the stipple allows for a subtle gradation of light and shadow across the skin of the women and the surrounding leaves.
- Technique: Stipple engraving printed in colours
- State: 2nd state
- Medium: Print after a painting
The Art of the Engraver
Francesco Bartolozzi brought a specific sensitivity to this piece, characterized by a soft, chalk-like quality that mimics the texture of a drawing. His ability to translate the painterly nuances of Kauffman's original vision into the medium of engraving is evident in the way the light settles upon the figures. The work reflects the Neoclassical sensibilities of the late 18th century, focusing on clarity and the idealized beauty of the human form. It remains a significant example of how printmaking could capture the delicate atmosphere of a painted scene, preserving the mood of the original through meticulous, pointillist detail.
Questions & Answers
When was "Bacchante" created, and to which movement does it belong?
"Bacchante" by Francesco Bartolozzi is dated 1786 and belongs to Neoclassicism.
Is there a slideshow for "Bacchante" by Francesco Bartolozzi?
A slideshow is available: the Diaporama page of "Bacchante" by Francesco Bartolozzi.
What is the emotional tone of "Bacchante" by Francesco Bartolozzi?
The emotional tone recorded for "Bacchante" by Francesco Bartolozzi is calm. It summarizes the feeling the work expresses.
Quick facts and art quiz
About Francesco Bartolozzi
Francesco Bartolozzi
1728 - 1815, Italy
Artist Biography
Francesco Bartolozzi: Life and Legacy
Early Life and Training
- Born: Florence, Italy in 1725.
- Initially destined to follow his father’s profession as a goldsmith and silversmith.
- Demonstrated exceptional artistic talent early on, leading him to study painting under Florentine artists Ignazio Hugford and Giovanni Domenico Ferretti.
- Spent three years dedicated to painting before turning his attention to engraving in Venice.
- Influenced by the work of Joseph Wagner, a prominent engraver, during his time in Venice.
Artistic Development and Style
- Bartolozzi’s early engravings were initially in the style of artists like Marco Ricci and Zuccarelli.
- He later developed a distinctive style, becoming renowned for popularizing the “crayon” method of engraving.
- The ‘crayon’ manner imitated the subtle effects of chalk drawings, creating soft, delicate textures and tones.
- His work often featured portraits and allegorical scenes, reflecting Neoclassical influences.
Career in London
- Moved to London in 1764 and remained there for nearly forty years.
- Quickly established himself as a leading engraver, appointed ‘Engraver to the King’ with an annual salary of £300.
- Elected a founding member of the Royal Academy in 1768, solidifying his position within the British art establishment.
- Contributed significantly to Boydell's Shakespeare Gallery, creating engravings based on works by prominent artists.
- Frequently collaborated with artists such as Cipriani and Angelica Kauffman.
Major Achievements and Works
- Notable works include engravings of “Clytie” after Annibale Carracci and the “Virgin and Child” after Carlo Dolci.
- His skill in reproducing paintings with a chalk-like quality made his engravings highly sought after.
- In 1802, he became the founding president of the short-lived Society of Engravers.
- Bartolozzi’s influence extended to numerous pupils, including Michele Benedetti and Luigi Schiavonetti.
Later Life and Historical Significance
- In 1802, Bartolozzi accepted the position of director of the National Academy of Lisbon.
- He died in Lisbon in 1815.
- Bartolozzi’s contribution to engraving lies in his mastery and popularization of the crayon manner, which significantly impacted the aesthetic qualities of engravings during his time.
- His work remains a testament to the skill and artistry of 18th-century engravers and continues to be appreciated for its delicate beauty and technical brilliance.
Quick facts about Francesco Bartolozzi
- Name: Francesco Bartolozzi
- Movement: Neoclassical
- Birth Date: 1725
- Death Date: 1815
- Influenced: Michele Benedetti, Ignatius Joseph van den Berghe, Thomas Cheesman, Lambertus Antonius Claessens, Daniel Gardner, Christiaan Josi, Johan Fredrik Martin, Conrad Martin Metz, Luigi Schiavonetti, John Keyse Sherwin, Heinrich Sintzenich, Peltro William Tomkins, Don Bernardo Zilotti, Gabriel Scorodomoff
- Birth Place: Florence, Italy
- Nationality: Italian
- Date Of Birth: 1725
- Date Of Death: 1815
- Influenced By: Joseph Wagner, Ignazio Hugford, Giovanni Domenico Ferretti
- Notable Works: Clytie, Virgin and Child, plates for Shakespeare Gallery
- Place Of Birth: Florence, Italy
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Francesco Bartolozzi
Bacchante
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