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      St Jerome

      Michelangelo's iconic 'St. Jerome' depicts the biblical figure in contemplative repose. A masterpiece of Renaissance art, showcasing masterful detail and profound emotion.

      High Renaissance master of the Sistine Chapel. Discover his legendary sculptures and frescoes today.

      Giclée / Art Print

      Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

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      Total Price

      $ 70

      St Jerome

      Giclée / Art Print

      Reproduction Size

      -

      Total Price

      $ 70

      Quick Facts

      • Dimensions: 285 x 209 cm
      • Influences: Classical Antiquity
      • Movement: Renaissance
      • Title: St Jerome
      • Year: 1493
      • Artistic style: High Renaissance

      Michelangelo Buonarroti: A Renaissance Titan

      Michelangelo di Lodovico Buonarroti Simoni (6 March 1475 – 18 February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the Pietà and David, were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes in the history of Western art: the scenes from Genesis on the ceiling of the Sistine Chapel in Rome, and The Last Judgment on its altar wall. His design of the Laurentian Library pioneered Mannerist architecture. At the age of 71, he succeeded Antonio da Sangallo the Younger as the architect of St. Peter's Basilica. Michelangelo transformed the plan so that the Western end was finished to his design, as was the dome, with some modification, after his death. Michelangelo was the first Western artist whose biography was published while he was alive. Three biographies were published during his lifetime. One of them, by Giorgio Vasari, proposed that Michelangelo's work transcended that of any artist living or dead, and was “supreme in not one art alone but in all three”. Michelangelo’s artistic journey is well-documented in various publications, including The Manchester Madonna and St Matthew.

      Early Life and Training (1475-1496)

      • Michelangelo di Lodovico Buonarroti Simoni was born on March 6, 1475, in Caprese Michelangelo, Tuscany.
      • Initially, his father resisted an artistic career but conceded to his son’s exceptional talent for drawing.
      • At age 13, he apprenticed with Domenico Ghirlandaio, learning fresco and drawing techniques.
      • He soon gravitated towards sculpture, studying classical works in the Medici gardens – a pivotal influence.

      Early Period: Establishing Mastery (1490-1505)

      • Around 1496, he received his first major commission: the sculpture of the Pietà, completed in 1499.
      • The Pietà, housed in St. Peter's Basilica, showcased his mastery of marble carving and emotional depth.
      • His next landmark work was the colossal statue of David (1501-1504), symbolizing Florentine republican ideals.

      The Painting's Details

      St Jerome was painted in 1493, during Michelangelo’s early career, using pen as the primary medium. The artwork measures 285 x 209 cm and is currently housed at the Musée du Louvre in Paris, France.

      Artistic Significance

      This painting is a testament to Michelangelo's disegno, a term that encompasses both drawing and conceptual design. Giorgio Vasari referred to him as “the divine draftsman and designer.” Michelangelo’s artistic journey is well-documented in various publications, including The Manchester Madonna and St Matthew.

      Michelangelo's Artistic Journey

      Michelangelo’s artistic journey is well-documented in various publications, including The Manchester Madonna and St Matthew.

      Other Notable Works by Michelangelo

      Michelangelo’s body of work includes several other notable pieces, such as Ignudo (10), which is part of the frescoes in the Sistine Chapel. His sculptures, like the Pieta', demonstrate his skill in capturing the essence of human form.

      Conclusion

      St Jerome by Michelangelo Buonarroti is a masterpiece that exemplifies the artist’s technical prowess and artistic vision. As a professional expert in art and salesman for TopImpressionists.com, I highly recommend exploring more of Michelangelo's works, which are available as handmade oil painting reproductions on our website. TopImpressionists.com offers a wide range of handmade oil painting reproductions, including works by Michelangelo Buonarroti. Visit our website to explore and purchase these beautiful pieces of art.

      Questions & Answers

      How can I view "St Jerome" by Michelangelo Buonarroti as a slideshow?

      The diaporama of "St Jerome" can be watched on the artwork's Diaporama page.

      How light is "St Jerome" overall?

      Overall, "St Jerome" is recorded as brilliant. Perceived brightness describes how light or dark the work appears.

      What shape and dimensions is "St Jerome" by Michelangelo Buonarroti?

      The format of "St Jerome" is portrait, and the original measures 285 x 209 cm. Both are useful when planning a reproduction.


      Artist Biography

      The Hands of Caprese

      In the hills of Caprese, a boy learned the weight of stone and the grit of marble dust. Born in 1475, Michelangelo di Lodovico Buonarroti Simoni spent his early years near Settignano, where his father owned a quarry. The smell of damp earth and the sound of hammers against rock were part of his childhood. He did not start with brushes but with the chisel. His apprenticeship under Domenico Ghirlandaio in Florence brought him into contact with the city's growing interest in the human form, yet it was the Medici gardens that truly shaped his eyes. There, among the ancient Greek and Roman fragments, he studied how light falls across muscle and bone.

      His work began to take shape through a deep study of anatomy. He looked at the way a limb carries weight and how skin stretches over a joint. This focus on the physical reality of the body became his primary language. By the time he reached Rome in 1496, he was already carving figures that possessed a heavy, palpable presence. The Pietà, completed in 1499, shows this early ability to make marble appear as soft as flesh, even as it carries the weight of a dead man.

      The Weight of the Sistine Ceiling

      The task of the Sistine Chapel ceiling was not something he sought. He saw himself as a sculptor, someone who pulls life out of stone rather than spreading pigment on plaster. Yet, for four years, he worked in the high reaches of the chapel, painting over 300 figures from the Book of Genesis. The physical toll was visible in his daily life. He spent hours in difficult positions, his body strained by the reach and the heavy application of fresco technique. In panels like The Creation of Adam, the tension is found in the small gap between two fingers, a moment of near-contact that holds the viewer's attention through pure composition.

      As time passed, his style moved away from the balanced ideals of the High Renaissance toward something more restless. His later works, such as The Last Judgment on the altar wall, show a shift toward Mannerism. The figures became more elongated and the compositions more crowded and dramatic. This change reflected a shifting spiritual climate in Rome. He continued to work with an intensity that many found overwhelming, often leaving projects unfinished as his mind moved toward new architectural or sculptural problems.

      Architecture and Final Years

      In his later decades, Michelangelo turned much of his attention to the structure of buildings. At age 71, he took over the work on St. Peter's Basilica, altering the plans to create a more massive, imposing design. He also designed the Laurentian Library, where his use of architectural elements broke from tradition, creating a sense of movement within the stone itself. His work on the Piazza del Campidoglio in Rome showed how he could organize a public space using symmetry and classical motifs to guide the eye through the square.

      He died in Rome in 1564, leaving behind a legacy written in marble, fresco, and stone. His life was defined by several key roles:

      • Sculptor: Carving works like David from single blocks of Carrara marble.
      • Painter: Executing the vast narrative cycles of the Sistine Chapel.
      • Architect: Redesigning the foundations of St. Peter's Basilica and the Laurentian Library.
      • Poet: Expressing his inner thoughts through verse.
      Michelangelo Buonarroti

      Michelangelo Buonarroti

      1475 - 1564 , Italy

      Quick Facts

      • Artistic Movement Or Style:
        • High Renaissance
        • Mannerism
      • Artists Or Movements Influenced By This Artist: ['Mannerism']
      • Artists Who Influenced This Artist:
        • Domenico Ghirlandaio
        • Donatello
        • Masaccio
      • Full Name: Michelangelo di Lodovico Buonarroti Simoni
      • Nationality: Italian
      • Notable Artworks:
        • Pietà
        • David
        • The Creation of Adam
        • The Last Judgment
        • Moses
      • Place Of Birth: Caprese Michelangelo, Italy
      • Date Of Birth: 1475
      • Date Of Death: 1564
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