Atelier — Complimentary worldwide shipping — Delivery 2–6 weeks
      Preview AR preview Switch to Print Switch to Digital Image Send
      Details Guide Add to favorites Download Similars X-Ray Diaporama Stats

      Number 2-07

      Explore Morris Louis (1912-1962), a pioneer of Color Field painting! Discover his innovative veil paintings, vibrant hues & lasting impact on abstract art.

      The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

      As a respectful and legal alternative, we offer custom, hand-painted artworks inspired by the original. Our skilled and professional artists carefully study the original's style, mood, and artistic essence to create a new, unique piece that evokes the same feeling - while remaining an original creation in its own right.

      This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.

      Hand Made Oil Reproduction

      Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

      Standard
      custom
      CM
      INCH

      Pick from our preset sizes that match the artwork's original proportions.

      width
      height

      Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

      Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
      After order, TopImpressionists.com team will email client for instructions and provide a mockup preview

      Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (22 October). No compromise on quality.

      Free Worldwide Express Shipping
      High-Quality Linen Canvas
      Full Shipping Insurance
      Customs Tax Refund Guarantee
      True Color Matching Guarantee
      100-Day Return Policy (Defects Only)
      100% Money-Back Guarantee
      Bulk Discount Offer

      Total Price

      $ 269

      Number 2-07

      Reproduction Medium

      Reproduction Size

      -

      Total Price

      $ 269

      Quick Facts

      • Medium: Acrylic resin (Magna) on canvas
      • Year: 1961
      • Artistic style: Abstract Expressionist
      • Title: Number 2-07
      • Artist: Morris Louis

      Art Quiz

      There is only one correct answer for each question.

      Question 1:
      What artistic movement is Morris Louis’s ‘Number 2-07’ primarily associated with?
      Question 2:
      The staining technique employed by Louis in creating 'Number 2-07' involves:
      Question 3:
      'Number 2-07' utilizes a palette characterized by:
      Question 4:
      What is the primary purpose of Louis’s use of gravity in creating ‘Number 2-07’?
      Question 5:
      Louis’s 'Number 2-07' exemplifies the stylistic similarities found in works by Helen Frankenthaler and Kenneth Noland. What characteristic unites these artists?

      Morris Louis: A Symphony of Color and Gravity

      Morris Louis (1912-1962), a pivotal figure in American Abstract Expressionism, revolutionized painting with his groundbreaking Veil paintings—particularly ‘Number 2-07,’ created in 1961. This monumental canvas transcends mere visual representation, delving into profound explorations of color and process, solidifying Louis’s place as one of the foremost innovators of Color Field painting.

      Composition and Technique: Embracing Fluidity

      ‘Number 2-07’ presents a deceptively simple yet remarkably complex composition. Two dominant vertical columns of overlapping color dominate the canvas, eschewing traditional linear perspective in favor of an immersive experience for the viewer. Louis achieved this mesmerizing effect through his pioneering use of Magna paint—a revolutionary oil-based acrylic resin that allowed him to apply diluted pigment directly onto the canvas surface. This staining technique ensured a seamless integration between color and fabric, resulting in a textural richness that belies its apparent stillness.

      Color Palette and Atmospheric Depth

      The artwork’s vibrant palette—characterized by interwoven bands of orange, green, blue, and red—immediately captivates the eye. However, Louis didn't merely employ color; he orchestrated it to evoke a palpable sense of atmospheric depth. The translucency of each column allows underlying layers to peek through, creating subtle gradations that mimic the diffusion of light through foliage or water – mirroring influences from Cézanne and Speicher. This masterful manipulation of hue contributes significantly to the painting’s contemplative mood.

      Historical Context and Artistic Influences

      Louis emerged during the height of Abstract Expressionism, a movement characterized by artists prioritizing emotion and spontaneity over representational accuracy. He drew inspiration from figures like Helen Frankenthaler and Kenneth Noland, who similarly explored large-scale color fields as vehicles for conveying psychological states. ‘Number 2-07’ stands apart through its deliberate embrace of gravity—the artist carefully controlling the flow of Magna paint to produce cascading streams that solidify into fan-like shapes upon contact with the canvas.

      Symbolic Resonance and Emotional Impact

      Beyond its formal qualities, ‘Number 2-07’ resonates with symbolic undertones. The flowing colors can be interpreted as representing natural phenomena—the ceaseless movement of water or sunlight—inviting viewers to contemplate themes of transformation and serenity. Ultimately, Louis's masterpiece succeeds in capturing a moment of profound stillness amidst the dynamism of artistic experimentation, leaving an indelible mark on the history of modern art.

      Questions & Answers

      What is the dominant color of "Number 2-07" by Morris Louis?

      The color that stands out most in "Number 2-07" is white (#f3f2ed). The dominant color is useful when matching an artwork to an interior.

      How well known is "Number 2-07" by Morris Louis?

      "Number 2-07" is classified as recognized.

      What emotion does "Number 2-07" by Morris Louis convey?

      The emotional tone recorded for "Number 2-07" by Morris Louis is calm. It summarizes the feeling the work expresses.


      Artist Biography

      Early Life and Education

      • Born: Morris Louis Bernstein, November 28, 1912, Baltimore, Maryland
      • Parents: Louis Bernstein (furniture salesman) and Cecelia Luckman Bernstein.
      • Education: Attended public schools in Baltimore; Maryland Institute of Fine and Applied Arts (now MICA), 1929-1932. Did not complete a degree.
      • Early influences included Eugene Speicher and Paul Cézanne.
      • Showed an early interest in art, encouraged by his family despite limited opportunities in Baltimore.

      Development as an Artist & Key Influences

      • 1930s: Worked various odd jobs to support himself while painting (vegetable peeling, laundry work, Gallup Poll research).
      • 1934-1936: Participated in the Public Works of Art Project mural project under Sam Swerdloff.
      • 1936-1937: Moved to New York City; experimented with techniques at the Siqueiros Workshop.
      • Magna Paint Discovery (1948): A pivotal moment – Louis pioneered the use of Magna paint, a newly developed oil-based acrylic paint created for him by Leonard Bocour and Sam Golden. This allowed for greater fluidity and transparency in his work.
      • Influence of Helen Frankenthaler: In 1953, Louis and Kenneth Noland visited Frankenthaler's studio and were deeply impressed by her stain paintings (particularly "Mountains and Sea"). This inspired their experimentation with pouring and staining techniques.

      The Veil Paintings & Color Field Innovations

      • Mature Veil Paintings (1954): Characterized by overlapping, superimposed layers of transparent color poured onto and stained into sized or unsized canvas.
      • Technique: Extremely diluted paint was applied to an unprimed, unstretched canvas, allowing it to flow over the inclined surface, creating translucent color veils. This eliminated brushstrokes and emphasized flatness.
      • Color Field Painting: Louis became a central figure in Color Field painting, simplifying pictorial space and emphasizing flat planes of intense color. He was part of the Washington Color School movement.
      • Series & Styles: Beyond the Veil paintings, he explored series like florals, columns (1960), unfurleds (1960-61) – featuring rivulets of opaque color – and stripe paintings (1961-62).

      Major Achievements & Historical Significance

      • Pioneering Color Field Painting: Louis is recognized as a key innovator in Color Field painting, alongside artists like Kenneth Noland and Helen Frankenthaler.
      • Influence on Abstract Expressionism: His work expanded the boundaries of Abstract Expressionism by focusing on color and flatness rather than gesture or composition.
      • Washington Color School: A significant contributor to this influential movement, which emphasized a reductive approach to painting.
      • Destruction of Works: Notably, Louis destroyed many of his paintings between 1955 and 1957, reflecting a critical self-assessment of his work.
      • Legacy: His emphasis on color, flatness, and the materiality of paint continues to influence contemporary artists.

      Later Years & Death

      • Louis continued painting prolifically until his death.
      • Death: Died September 7, 1962, in Washington, D.C., at the age of 49.
      • Memorial Exhibition (1963): A significant exhibition was held at the Solomon R. Guggenheim Museum shortly after his death.
      • Retrospective Exhibitions: Major retrospectives followed at the Museum of Fine Arts, Boston (1967), and the National Gallery of Art, Washington, D.C. (1976).
      Morris Louis

      Morris Louis

      1912 - 1962 , United States of America

      Quick Facts

      • Full Name: Morris Louis
      • Nationality: American
      • Date Of Birth: 1912
      • Date Of Death: 1962
      • Place Of Birth: Baltimore, United States of America
      • Notable Artworks:
        • High
        • Number 1-36
        • Where
        • Number 1-68
        • Gamma Tau
        • Third Element
        • Delta Theta
      • Artistic Movement Or Style: Color Field painting
      • Artists Who Influenced This Artist:
        • Helen Frankenthaler
        • Jackson Pollock
        • Cézanne
      • Artists Or Movements Influenced By This Artist:
        • Kenneth Noland
        • Washington Color School
      Explore artworks organized by themes, styles, and characteristics.
      © TopImpressionists.com — All Rights Reserved  ·  100% Hand-Painted · Satisfaction Guaranteed · Free Worldwide Shipping
      VISA MASTERCARD