Preview
Send
Share
Details
Guide
Download
Similars
X-Ray
Diaporama
StatsNumber 2-07
Acrylic On Canvas- WallArt
- Color Field Painting
1961
239.0 x 177.0 cm
Read More
Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options. (
Buy Hand Made Painting Switch to Digital Image)
Standard
custom
CM
INCH
Pick from our preset sizes that match the artwork's original proportions.
Loading sizes...
width
height
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the image with a mirrored or solid-fill edge. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (26 September)
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
100-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Glass option is only available in size under 110 CM
Number 2-07
Giclée / Art Print
Reproduction Size
-
Total Price
$ 70
Morris Louis: A Symphony of Color and Gravity
Morris Louis (1912-1962), a pivotal figure in American Abstract Expressionism, revolutionized painting with his groundbreaking Veil paintings—particularly ‘Number 2-07,’ created in 1961. This monumental canvas transcends mere visual representation, delving into profound explorations of color and process, solidifying Louis’s place as one of the foremost innovators of Color Field painting.
Composition and Technique: Embracing Fluidity
‘Number 2-07’ presents a deceptively simple yet remarkably complex composition. Two dominant vertical columns of overlapping color dominate the canvas, eschewing traditional linear perspective in favor of an immersive experience for the viewer. Louis achieved this mesmerizing effect through his pioneering use of Magna paint—a revolutionary oil-based acrylic resin that allowed him to apply diluted pigment directly onto the canvas surface. This staining technique ensured a seamless integration between color and fabric, resulting in a textural richness that belies its apparent stillness.
Color Palette and Atmospheric Depth
The artwork’s vibrant palette—characterized by interwoven bands of orange, green, blue, and red—immediately captivates the eye. However, Louis didn't merely employ color; he orchestrated it to evoke a palpable sense of atmospheric depth. The translucency of each column allows underlying layers to peek through, creating subtle gradations that mimic the diffusion of light through foliage or water – mirroring influences from Cézanne and Speicher. This masterful manipulation of hue contributes significantly to the painting’s contemplative mood.
Historical Context and Artistic Influences
Louis emerged during the height of Abstract Expressionism, a movement characterized by artists prioritizing emotion and spontaneity over representational accuracy. He drew inspiration from figures like Helen Frankenthaler and Kenneth Noland, who similarly explored large-scale color fields as vehicles for conveying psychological states. ‘Number 2-07’ stands apart through its deliberate embrace of gravity—the artist carefully controlling the flow of Magna paint to produce cascading streams that solidify into fan-like shapes upon contact with the canvas.
Symbolic Resonance and Emotional Impact
Beyond its formal qualities, ‘Number 2-07’ resonates with symbolic undertones. The flowing colors can be interpreted as representing natural phenomena—the ceaseless movement of water or sunlight—inviting viewers to contemplate themes of transformation and serenity. Ultimately, Louis's masterpiece succeeds in capturing a moment of profound stillness amidst the dynamism of artistic experimentation, leaving an indelible mark on the history of modern art.
Artist Biography
Early Life and Education
- Born: Morris Louis Bernstein, November 28, 1912, Baltimore, Maryland
- Parents: Louis Bernstein (furniture salesman) and Cecelia Luckman Bernstein.
- Education: Attended public schools in Baltimore; Maryland Institute of Fine and Applied Arts (now MICA), 1929-1932. Did not complete a degree.
- Early influences included Eugene Speicher and Paul Cézanne.
- Showed an early interest in art, encouraged by his family despite limited opportunities in Baltimore.
Development as an Artist & Key Influences
- 1930s: Worked various odd jobs to support himself while painting (vegetable peeling, laundry work, Gallup Poll research).
- 1934-1936: Participated in the Public Works of Art Project mural project under Sam Swerdloff.
- 1936-1937: Moved to New York City; experimented with techniques at the Siqueiros Workshop.
- Magna Paint Discovery (1948): A pivotal moment – Louis pioneered the use of Magna paint, a newly developed oil-based acrylic paint created for him by Leonard Bocour and Sam Golden. This allowed for greater fluidity and transparency in his work.
- Influence of Helen Frankenthaler: In 1953, Louis and Kenneth Noland visited Frankenthaler's studio and were deeply impressed by her stain paintings (particularly "Mountains and Sea"). This inspired their experimentation with pouring and staining techniques.
The Veil Paintings & Color Field Innovations
- Mature Veil Paintings (1954): Characterized by overlapping, superimposed layers of transparent color poured onto and stained into sized or unsized canvas.
- Technique: Extremely diluted paint was applied to an unprimed, unstretched canvas, allowing it to flow over the inclined surface, creating translucent color veils. This eliminated brushstrokes and emphasized flatness.
- Color Field Painting: Louis became a central figure in Color Field painting, simplifying pictorial space and emphasizing flat planes of intense color. He was part of the Washington Color School movement.
- Series & Styles: Beyond the Veil paintings, he explored series like florals, columns (1960), unfurleds (1960-61) – featuring rivulets of opaque color – and stripe paintings (1961-62).
Major Achievements & Historical Significance
- Pioneering Color Field Painting: Louis is recognized as a key innovator in Color Field painting, alongside artists like Kenneth Noland and Helen Frankenthaler.
- Influence on Abstract Expressionism: His work expanded the boundaries of Abstract Expressionism by focusing on color and flatness rather than gesture or composition.
- Washington Color School: A significant contributor to this influential movement, which emphasized a reductive approach to painting.
- Destruction of Works: Notably, Louis destroyed many of his paintings between 1955 and 1957, reflecting a critical self-assessment of his work.
- Legacy: His emphasis on color, flatness, and the materiality of paint continues to influence contemporary artists.
Later Years & Death
- Louis continued painting prolifically until his death.
- Death: Died September 7, 1962, in Washington, D.C., at the age of 49.
- Memorial Exhibition (1963): A significant exhibition was held at the Solomon R. Guggenheim Museum shortly after his death.
- Retrospective Exhibitions: Major retrospectives followed at the Museum of Fine Arts, Boston (1967), and the National Gallery of Art, Washington, D.C. (1976).
Morris Louis
1912 - 1962 , United States of America
Quick Facts
- Artistic Movement Or Style: Color Field painting
- Artists Or Movements Influenced By This Artist:
- Kenneth Noland
- Washington Color School
- Artists Who Influenced This Artist:
- Helen Frankenthaler
- Jackson Pollock
- Cézanne
- Date Of Birth: November 28, 1912
- Date Of Death: September 7, 1962
- Full Name: Morris Louis
- Nationality: American
- Notable Artworks:
- High
- Number 1-36
- Where
- Number 1-68
- Gamma Tau
- Third Element
- Delta Theta
- Place Of Birth: Baltimore, United States
Related Articles
The Soul of Color: A Journey into the Emotional Resonance of Lyrical Abstraction
Embark on a cultural journey through Lyrical Abstraction. Explore how masters like Kandinsky used color and motion to translate emotion into visual poetry. Discover the profound beauty of abstract expressionism and learn to curate emotional resonance in your own art collection.
Beyond the Brush: The Raw Emotion and Power of Abstract Expressionism
Explore the profound emotional depth of Abstract Expressionism. From the visceral energy of Action Painting to the serene beauty of Color Field, discover the history and mastery behind this transformative movement for the discerning art collector.
Explore artworks organized by themes, styles, and characteristics.
