Convocation comes from the hand of Pierre Bonnard (1867–1947).
Pierre Bonnard, Convocation. Public domain.
A digital expert checks the colors against the original painting and retouches the file, faithful to the artist's brushwork.
Buy the high-resolution imageThe color that stands out most in "Convocation" is quinacridone magenta (#79604d). The dominant color is useful when matching an artwork to an interior.
The format of "Convocation" is landscape. This is useful when planning where a reproduction will be placed.
The contrast level of "Convocation" by Pierre Bonnard is statement.
Statistics about "Convocation" by Pierre Bonnard are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.
A slideshow is available: the Diaporama page of "Convocation" by Pierre Bonnard.
Overall, "Convocation" is recorded as bright. Perceived brightness describes how light or dark the work appears.
The Similars page of "Convocation" by Pierre Bonnard presents related artworks.
"Convocation" by Pierre Bonnard is recorded with a muted saturation.
"Convocation" by Pierre Bonnard is in the public domain - its copyright has expired. Copyright terms are measured from the artist's death, and Pierre Bonnard died in 1947.
1867–1947, France
Early Life, Family and Training Pierre Bonnard entered the world on 3 October 1867 in Fontenay-aux-Roses, Hauts-de-Seine, France. He was born into a family of structured expectations; his father, Eugène Bonnard, held a senior position within the French Ministry of War. While his lineage was rooted in the administrative stability of the state, Pierre’s domestic sphere was shaped by his mother, Élisabeth Mertzdorff, who hailed from Alsace. He grew up alongside his brother, Charles, and his sister, Andrée, within a household that would eventually see his sister marry the composer Claude Terrasse.
Complete collection The life of Pierre Bonnard The most celebrated paintings by Pierre Bonnard