Óleo sobre lienzo pintado a mano en el tamaño y marco de su elección, realizado por encargo por nuestros artistas. ( Cambiar a impresiones
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La obra de arte que se muestra en esta página está protegida por las leyes de propiedad intelectual, lo que significa que no podemos crear ni vender legalmente una reproducción idéntica. Esta protección se hace cumplir en virtud de acuerdos internacionales como el Convenio de Berna y por las leyes nacionales, incluidas aquellas establecidas por el Ley de derechos de autor de los EE. UU. - Título 17.
Como una alternativa respetuosa y legal, ofrecemos obras de arte personalizadas y pintadas a mano inspiradas en la original. Nuestros expertos y profesionales del arte estudian cuidadosamente el estilo, el sentimiento y la esencia artística de la obra original para crear una pieza nueva y única que evoque la misma sensación, siendo al mismo tiempo una creación original por derecho propio.
Este método cumple plenamente con las normativas de derechos de autor, ya que no implica la copia ni la duplicación de la obra protegida. En su lugar, se trata de una reinterpretación creativa: una nueva pintura influenciada por la original, pero que no es idéntica a ella.
Elija entre nuestros tamaños predefinidos que respetan las proporciones originales de la obra.
Indique el ancho y el alto que necesite para adaptarse a su marco o pared. Al tratarse de una obra pintada a mano, si requiere un tamaño con una proporción distinta, el artista puede pintar un poco más alrededor de la imagen o recortarla ligeramente; usted elige. Le enviaremos una maqueta digital para su aprobación antes de comenzar la pintura. La imagen que se muestra en esta página no refleja el resultado real; solo la maqueta lo hace.
Se envía en un tubo protector, listo para que lo enmarque su profesional de confianza.
Envío a todo el mundo () en 3-4 semanas en lugar de las 5 semanas estándar. (8 noviembre). Sin comprometer la calidad.
This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.
It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.
The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.
It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.
This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.
The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.
Colorful cartoon depiction of a man bartering fish with a woman wielding a spear, by Milton Viola Fernandes (1923-2012). This vibrant 1979 artwork captures playful exchange against a mountain backdrop – discover this unique piece.
Descubre Millôr Fernandes, el icono brasileño de la sátira y el humor. Explora sus dibujos irónicos, aforismos brillantes y obras teatrales destacadas. Un legado artístico imprescindible en Brasil.
Milton Viola Fernandes’ 1979 work, "Barter," is more than just a charming cartoon; it's a vibrant snapshot of Brazilian culture and a testament to the artist’s keen observational humor. Measuring 97 x 100 cm, this piece immediately draws the eye with its bold color palette and whimsical depiction of two figures engaged in what appears to be a transaction within the confines of a swimming pool setting. The scene, rendered with a distinctly naive yet engaging style, captures a moment of negotiation – a man offering a fish to a woman wielding a spear – instantly inviting contemplation about value, exchange, and perhaps even survival.
Born in Rio de Janeiro in 1923 as Milton Viola Fernandes (later adopting the moniker “Millôr”), Fernandes was a pivotal figure in Brazilian satirical art. His career, spanning from the late 1930s through 2012, was deeply intertwined with the spirit of dissent and social commentary that flourished during Brazil’s turbulent mid-20th century. Fernandes' work frequently appeared in publications like *O Cruzeiro* and *A Cigarra*, establishing his reputation for ironic wit and sharp observation. Crucially, he was a co-founder of *O Pasquim*, a groundbreaking satirical newspaper that challenged the authoritarian regime of Getúlio Vargas and later, during the military dictatorship, became a vital voice of opposition. “Barter,” with its playful depiction of exchange, aligns perfectly with this tradition – a subtle yet pointed critique of power dynamics and the necessity of adaptation.
The artwork’s execution is characterized by a loose, cartoon-like style, typical of Fernandes' approach. Bold lines define the figures and their surroundings, while vibrant colors contribute to the overall sense of energy and playfulness. The artist skillfully employs perspective to create depth within the confined space of the pool, drawing the viewer into this miniature world. The inclusion of several fish – both large and small – adds a layer of visual interest and subtly reinforces the theme of exchange and abundance. The two birds perched strategically in the composition further enhance the artwork's narrative quality, adding to its overall charm.
"Barter" transcends a simple depiction of a poolside scene; it’s laden with symbolic weight. The man offering the fish can be interpreted as representing vulnerability and resourcefulness, while the woman with the spear embodies strength and protection. The act of bartering itself speaks to fundamental human needs – survival, security, and perhaps even social status. The mountainous backdrop provides a sense of scale and grandeur, grounding the scene in a broader context. Ultimately, "Barter" evokes a feeling of gentle amusement mixed with a quiet contemplation on the complexities of human interaction and the enduring need for negotiation. This piece is a beautiful example of Millôr Fernandes' unique artistic voice and his ability to capture both the humor and the heart of Brazilian society.
"Barter" pertenece al movimiento Cartoon Illustration, y su creador trabajó en la época Edad Moderna.
"Barter" de Millôr Fernandes combina la técnica de Acrylic On Canvas con el estilo Cartoon Illustration. La técnica y el movimiento describen la ejecución y el estilo de la obra.
"Barter" fue creada en 1979 como una obra del movimiento Cartoon Illustration. La fecha y el movimiento sitúan la pieza en su contexto histórico dentro de la historia del arte.
1923 - 2012, Brasil
Milton Viola Fernandes, known by his adopted name millôr, was a renowned brazilian writer, journalist, cartoonist, humorist, and playwright. Born on august 16, 1923, in rio de janeiro, brazil, his birth certificate rendered the name 'millôr', which he later adopted as his official name.
He began his journalistic career in 1938, publishing in several prominent brazilian magazines, such as o cruzeiro and a cigarra. He was celebrated for his ironic humor and authored thousands of satirical aphorisms.
In 1956, millôr shared the first prize at the buenos aires international caricature exhibition with saul steinberg. This achievement solidified his reputation as a masterful illustrator and cartoonist.
In 1957, he had a one-man exhibition in rio de janeiro's museum of modern art, showcasing his distinctive visual style and demonstrating his commitment to artistic expression.
Together with jaguar, ziraldo, and others, he founded in 1969 the groundbreaking satirical newspaper o pasquim. This publication became a symbol of brazilian intellectual dissent and social critique.
Millôr’s prolific literary output included several successful plays that explored complex themes of human psychology and societal issues. His work captivated audiences with its wit, intelligence, and poignant observations about the human condition.
He translated classics, including shakespeare's works, furthering his contribution to brazilian literature and enriching cultural discourse.
His participation in the buenos aires international caricature exhibition is a testament to his global acknowledgment as an artist and thinker. It cemented his place among the most influential satirists of his time.
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