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EstadísticasBarter
- 97.0 x 100.0 cm
Colorful cartoon depiction of a man bartering fish with a woman wielding a spear, by Milton Viola Fernandes (1923-2012). This vibrant 1979 artwork captures playful exchange against a mountain backdrop – discover this unique piece.
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Descubre Millôr Fernandes, el icono brasileño de la sátira y el humor. Explora sus dibujos irónicos, aforismos brillantes y obras teatrales destacadas. Un legado artístico imprescindible en Brasil.
La obra de arte que se muestra en esta página está protegida por las leyes de propiedad intelectual, lo que significa que no podemos crear ni vender legalmente una reproducción idéntica. Esta protección se hace cumplir en virtud de acuerdos internacionales como el Convenio de Berna y por las leyes nacionales, incluidas aquellas establecidas por el Ley de derechos de autor de los EE. UU. - Título 17.
Este método cumple plenamente con las normativas de derechos de autor, ya que no implica la copia ni la duplicación de la obra protegida. En su lugar, se trata de una reinterpretación creativa: una nueva pintura influenciada por la original, pero que no es idéntica a ella.
Giclée / Impresión de arte
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Barter
Giclée / Impresión de arte
Dimensiones de la reproducción
-
Precio total final
€ 63
A Playful Exchange: Unveiling Milton Viola Fernandes’ “Barter”
Milton Viola Fernandes’ 1979 work, "Barter," is more than just a charming cartoon; it's a vibrant snapshot of Brazilian culture and a testament to the artist’s keen observational humor. Measuring 97 x 100 cm, this piece immediately draws the eye with its bold color palette and whimsical depiction of two figures engaged in what appears to be a transaction within the confines of a swimming pool setting. The scene, rendered with a distinctly naive yet engaging style, captures a moment of negotiation – a man offering a fish to a woman wielding a spear – instantly inviting contemplation about value, exchange, and perhaps even survival.
The Artist’s Vision: Millôr Fernandes and the Spirit of ‘O Pasquim’
Born in Rio de Janeiro in 1923 as Milton Viola Fernandes (later adopting the moniker “Millôr”), Fernandes was a pivotal figure in Brazilian satirical art. His career, spanning from the late 1930s through 2012, was deeply intertwined with the spirit of dissent and social commentary that flourished during Brazil’s turbulent mid-20th century. Fernandes' work frequently appeared in publications like *O Cruzeiro* and *A Cigarra*, establishing his reputation for ironic wit and sharp observation. Crucially, he was a co-founder of *O Pasquim*, a groundbreaking satirical newspaper that challenged the authoritarian regime of Getúlio Vargas and later, during the military dictatorship, became a vital voice of opposition. “Barter,” with its playful depiction of exchange, aligns perfectly with this tradition – a subtle yet pointed critique of power dynamics and the necessity of adaptation.
Technique and Style: Cartoonish Charm Meets Narrative Depth
The artwork’s execution is characterized by a loose, cartoon-like style, typical of Fernandes' approach. Bold lines define the figures and their surroundings, while vibrant colors contribute to the overall sense of energy and playfulness. The artist skillfully employs perspective to create depth within the confined space of the pool, drawing the viewer into this miniature world. The inclusion of several fish – both large and small – adds a layer of visual interest and subtly reinforces the theme of exchange and abundance. The two birds perched strategically in the composition further enhance the artwork's narrative quality, adding to its overall charm.
Symbolism and Emotional Resonance
"Barter" transcends a simple depiction of a poolside scene; it’s laden with symbolic weight. The man offering the fish can be interpreted as representing vulnerability and resourcefulness, while the woman with the spear embodies strength and protection. The act of bartering itself speaks to fundamental human needs – survival, security, and perhaps even social status. The mountainous backdrop provides a sense of scale and grandeur, grounding the scene in a broader context. Ultimately, "Barter" evokes a feeling of gentle amusement mixed with a quiet contemplation on the complexities of human interaction and the enduring need for negotiation. This piece is a beautiful example of Millôr Fernandes' unique artistic voice and his ability to capture both the humor and the heart of Brazilian society.
Preguntas y respuestas
¿A qué movimiento y a qué época pertenece "Barter" de Millôr Fernandes?
"Barter" pertenece al movimiento Cartoon Illustration, y su creador trabajó en la época Edad Moderna.
¿Qué técnica y estilo caracterizan a "Barter" de Millôr Fernandes?
"Barter" de Millôr Fernandes combina la técnica de Acrylic On Canvas con el estilo Cartoon Illustration. La técnica y el movimiento describen la ejecución y el estilo de la obra.
¿En qué año y bajo qué movimiento se creó "Barter"?
"Barter" fue creada en 1979 como una obra del movimiento Cartoon Illustration. La fecha y el movimiento sitúan la pieza en su contexto histórico dentro de la historia del arte.
Biografía del artista
early life and career
Milton Viola Fernandes, known by his adopted name millôr, was a renowned brazilian writer, journalist, cartoonist, humorist, and playwright. Born on august 16, 1923, in rio de janeiro, brazil, his birth certificate rendered the name 'millôr', which he later adopted as his official name.
He began his journalistic career in 1938, publishing in several prominent brazilian magazines, such as o cruzeiro and a cigarra. He was celebrated for his ironic humor and authored thousands of satirical aphorisms.
artistic contributions
In 1956, millôr shared the first prize at the buenos aires international caricature exhibition with saul steinberg. This achievement solidified his reputation as a masterful illustrator and cartoonist.
In 1957, he had a one-man exhibition in rio de janeiro's museum of modern art, showcasing his distinctive visual style and demonstrating his commitment to artistic expression.
Together with jaguar, ziraldo, and others, he founded in 1969 the groundbreaking satirical newspaper o pasquim. This publication became a symbol of brazilian intellectual dissent and social critique.
notable works and legacy
Millôr’s prolific literary output included several successful plays that explored complex themes of human psychology and societal issues. His work captivated audiences with its wit, intelligence, and poignant observations about the human condition.
He translated classics, including shakespeare's works, furthering his contribution to brazilian literature and enriching cultural discourse.
international recognition
His participation in the buenos aires international caricature exhibition is a testament to his global acknowledgment as an artist and thinker. It cemented his place among the most influential satirists of his time.
Millôr Fernandes
1923 - 2012 , Brasil
Datos clave
- Artistic Movement Or Style: Satirical Illustration
- Date Of Birth: August 16, 1923
- Date Of Death: March 27, 2012
- Full Name: Milton Viola Fernandes
- Nationality: Brazilian
- Notable Artworks:
- Commodity money
- That
- The advent of metal
- Place Of Birth: Rio de Janeiro, Brazil
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