Umelecké dielo zobrazené na tejto stránke je chránené autorským zákonom, čo znamená, že nemôžeme legálne vytvárať ani predávať jeho identickú reprodukciu. Táto ochrana je vymáhaná na základe medzinárodných dohôd, ako napríklad Bernská konvencia a národnými zákonmi, vrátane tých, ktoré sú stanovené v Autorské právo USA – Title 17. Všetky práva vyhradené.
Táto metóda plne dodržiava autorské práva, pretože nezahŕňa kopírovanie ani duplikovanie chráneného diela. Ide skôr o kreatívnu reinterpretáciu – nový obraz, ktorý je ovplybnený originálom, no nie je s ním identický.
Giclée tlač alebo plátno múzeálnej kvality s rýchlou výrobou a rôznymi možnosťami povrchovej úpravy. ( Kúpiť ručne maľovaný obraz
Prepnúť na digitálny obraz)
Vyberte si z našich preddefinovaných rozmerov, ktoré zodpovedajú pôvodným pomeroḿ diela.
Zadajte šírku a výšku, ktoré potrebujete, aby sa reprodukcia hodila k vášmu rámu alebo stene. Print možno len orezávať, nikdy však nemennú veľkosť zvětšiť oproti pôvodnému obrázku, preto pri inom formáte stráca časť obrazu. Pred samotným vytlačiacím procesom vám pošleme digitálny náhľad na schválenie. Obrázok zobrazený na tejto stránke nezobrazuje reálny rez — len digitálny náhľad ukazuje presný výsledok.
Celosvetová doprava () do 2 týždňov namiesto štandardných 4 až 5 týždňov. (31 október)
End and beginning
Veľkosť reprodukcie
Dielo „End and beginning“ pochádza z obdobia Late Modern v tvorbe umelca Wendy Teakel. Táto klasifikácia spája toto dielo s vývojom umeleckej dráhy autora.
V rámci tvorby umelca Wendy Teakel sa dielo „End and beginning“ radí do štýlu Contemporary Minimalism, pričom sprevádzajú ho témy ako nature's journey, self-reflection, spatial flux, conceptual flow, minimalist inquiry, viewer role, australian landscape echoes", capo fellowship legacy.
„End and beginning“ od Wendy Teakel je zachytený s nasytením Subtle Color a intenzitou Balanced.
Wendy Teakel, born in the Australian landscape of 1957, has dedicated her life to sculpting the profound resonance between human perception and the natural world. Her artistic journey is deeply rooted in the varied terrains of Australia, from the expansive farming and grazing regions to the untamed remote wilderness. This immersion in the subtle shifts of climate and ecological processes has allowed Teakel to move beyond mere representation, seeking instead to capture the intangible essence of place. Her work does not simply depict a landscape; it inhabits it, acting as an existential insider who participates in the very environments she explores.
The foundations of her practice were laid during her formative studies at the Riverina College of Advanced Education between 1976 and 1979. This early training in applied sculpture provided the technical vocabulary that would later evolve into a sophisticated language of minimalist abstraction. As she moved to Canberra in 1985 for postgraduate studies at the ANU School of Art, her connection to the local landscape deepened, informing a practice that balances the physical weight of materials with the ethereal qualities of memory and movement.
Teakel’s sculptural language is defined by a deliberate eschewal of literal depiction, opting instead for a minimalist abstraction that invites deep contemplation. Utilizing robust materials such as iron, steel, and wood, she creates works that explore themes of journey, transformation, and meaning. Her pieces often function as fluid zones where boundaries between land, climate, and living beings dissolve. In her work, the physical presence of the sculpture serves as a vessel for conceptual inquiry, much like an ellipse that acts as a container or a void waiting to be filled by the viewer's own experience.
A masterful example of this approach is found in her piece End and beginning, where the use of garden stakes and spatial gaps creates a soothing yet complex flow. Through these deliberate voids, Teakel alludes to the possibilities of ongoing flux—spatial, temporal, and conceptual. Her work draws upon the interconnectedness of nature and culture, recognizing that these are not opposing forces but mutually constitutive elements woven together through histories of adaptation and disruption.
Throughout her distinguished career, Teakel has established herself as a pivotal voice within the Australian art community. Her tenure as the Head of Sculpture at the Australian National University until 2017 underscores her influence on both the practice and the pedagogy of contemporary sculpture. Her contributions have been recognized through numerous prestigious accolades, including:
Beyond her institutional achievements, Teakel's significance lies in her ability to open a dialogue with the viewer. She does not provide answers but rather offers suggestions, inviting each individual to distill and analyze the world through her lens. Her sculptures remain powerful invitations to embark on a personal journey of discovery, finding meaning within the intersections of the natural and the human experience.
1957 - , Australia